Kai Staats: writing

The Memory of Silence

Tonight will be my very last night here at Buffalo Peak Ranch. This place has given me six months of peace, solitude, and healing. I have found what feels like who I truly am for the first time in my adult life. Such comfort with being me. Amazing.

There was a time when the entire planet was like this place, free from noise and congestion. Just fifty years ago we did not have the constant buzz of aircraft overhead. One hundred and we heard only the sound of horses and wooden wheels. Two hundred–just six generations prior–and we were not even to the Industrial Revolution.

Now, there are only a few places remaining on this globe which are free of human clutter. Audible, physical, tangible infiltration of every sense during our entire life, from first breath to last gasp.

We even have cliche terms such as “tune out” to pretend this noise is acceptable. I have failed to find the switch inside which disables the long term detriment to my soul. I now know, I have solid evidence that nothing, no amount of meditation or insulated walls or power vacations will ever replace the healing of nearly two hundred days and nights of perfect, natural silence.

I hope only that I am able to maintain this sense of solitude and peace inside, no matter where I travel. No matter the traffic, the rumble, the sirens, the tension in the density of viral human populations on this planet–I hope I will recall what it meant to watch the sun set and hear those sounds which never ever tire–the wind, the fall of rain, the occasional bugle of the elk and nightly call of the coyotes–the perfection of absolutely nothing.

By |2017-04-10T11:17:36-04:00November 25th, 2013|At Home in the Rockies|0 Comments

The Bliss of Solitude, Revisited

In this place of solitude, there is no room for blame. There is no one to receive the pointy end of my finger, but me. As my days unfold into weeks, and weeks into the close of four months, two of which I have spent almost entirely alone, I recognize that the challenges of being me do not fully subside.

Instead, my anxieties, my fears, my resentment, contentment, and joy all remain completely present and accounted for. Not a day goes by that I do not experience a mixture of two or more of these.

Yes, alone, they are no longer murky, no longer confused by the complexity of relationship with another human being. I am alone, and in this aloneness, have come to experience all of me in perfect clarity.

I cannot help but consider the old man in the cave, the monk sworn to a monastic life, or the shipwrecked sailor who for years is stranded on what would otherwise be a paradise.

We simultaneously cherish and shutter at the thought of that path, that journey, knowing full well the challenge of working through your own internal, broken stuff is as difficult, perhaps more so, than learning to be with another. Or are they the same?

Perhaps. Perhaps not.

Only in publishing this did I rediscover an entry of the same title, on a similar subject, written a year prior. Interesting to revisit and compare my experience of solitude, a year later, both times after having lived at Buffalo Peak Ranch alone.

By |2017-04-10T11:17:36-04:00November 22nd, 2013|At Home in the Rockies|0 Comments

Digital Film – Storage

In the world of digital media, where storage read and write rates directly affect the time required to locate and open a source file, and then later render to drive, we want the fastest drive available to us, and the best interconnect from the computer to that storage medium.

There is quite a bit of marketing fluff in the industry around data storage devices. The most common misconception is the difference between the designed capacity of the channel and that of the attached device, given overhead, latency, and distance traveled which results in data loss and subsequent slower rates.

Internal
SATA I (rev 1.0) – 1.5 Gbit/s – 150 MB/s or 1,200 Mb/s real-world function
SATA II (rev 2.0) – 3 Gbit/s – 300 MB/s or 2,400 Mb/s real-world function
SATA III (rev 3.0) – 6 Gbit/s – 600 MB/s or 5,000 Mb/s real-world function

External
USB 1.1 – 12 Mbit/s
USB 2.0 – 480 Mbit/s
USB 3.0 – 5 Gbit/s
Thunderbolt – 10 Gbit/s

TESTS
On a 2013 MacBook Pro, using OSX, I moved approximately 5GB data by both copy (drag-n-drop) and rsync (executed from the terminal), from an internal SATA III Hybrid drive to an external USB 3.0 drive with the following results:

  1. rsync reported 50MB/s transfer or 480Mbit/s which is exactly USB 2.0 speeds.
  2. copy (desktop drag-n-drop) – 1GB every 15-18 seconds (using a lap counter) where …

    1GB * 8 = 8Gbit / 15 = 533,333,333 or about 500Mbit/s; and
    1GB * 8 = 8Gbit / 18 = 444,444,444 or about 444Mbit/s

CONCLUSION
What I have read about rsync versus cp (copy) is true — they are identical when making fresh copies. If, however, you are using rsync to conduct a comparative update, where data between the source and target is compared for modification dates, copied and / or deleted, then this process will of course require more time.

As for the total data throughput, however, the ABOUT THIS MAC profile states my USB 3.0 devices are enabled to transfer up to 5GB/s, but clearly, they are running at EXACTLY USB 2.0 speeds which means USB 2.0 is the limiting factor, not the drives. I have read reports (as of July 2012) that while Apple claims to support USB 3.0, they have not enabled the driver to force people to upgrade to Thunderbolt adapters.

More testing is needed with my current laptop, between the internal SATA III SSD and an external SSD.

Stay tuned …

By |2014-05-25T23:33:28-04:00November 13th, 2013|Film & Video|0 Comments

Digital Film – Product Comparison

Having spent more than two months researching, reading about, watching reviews, and testing various digital cameras, this is a compilation of the data I gathered which I felt was relevant to my work as a film maker.

It does not include hi-end cameras such as the RED or Arri. It is a comparison of DSLRs, mirrorless, and full-featured digital film cameras, all within the price range of $1000-5500 USD (with the Canon C300 added to the bottom to show that the C100 + Ninja II is equivalent in performance to the C300 with the added bonus of the Apple ProRes compression codec).

Canon 60D: $700

Sensor Size: 22.3 x 14.9mm (APS-C)
Effective Pixels: 5200 x 3462 pixels (18.0 megapixels)
Crop factor: 1.6
ND Filter: no
Autofocus: yes (not continuous)
ISO: 100 – 12800
Codec: MPEG-4 (AVC?) / H.264
Colour space: 4:2:0 (4:2:2 raw w/Magic Lantern)
Maximum Bit rate: __ Mbps

Canon 70D: $1100

Sensor Size: 22.5mm x 15.0mm (APS-C)
Effective Pixels: 5472 x 3648 (20.2 Megapixels)
Crop factor: 1.6 (or slightly less?)
ND Filter: no
Autofocus: yes + continuous
ISO: 100 – 12800
Codec: MPEG-4 AVC / H.264
Colour space: 4:2:0 (4:2:2 raw w/Magic Lantern)
Maximum Bit rate: 91.3 Mbps (ALL-I) or 31 Mbps (IPB)

Panasonic GH3K: $1300

Sensor Size: 17.3 x 13.0mm (4/3)
Effective Pixels: 4608 x 3456 (16 Megapixels)
Crop factor: 1.6
ND Filter: no
Autofocus: yes
ISO: 200 – 12,800
Codec: AVCHD Ver2.0, MPEG4-AVC H.264
Colour space: 4:2:0 compressed / 4:2:2 uncompressed
Maximum Bit rate: 72 Mbps (ALL-I) or 50 Mbps (IPB)

Black Magic Pocket Camera: $1000

Sensor Size: 12.48 x 7.02mm (Super 16)
Effective Pixels: (?)
Crop factor: 2.88 (?)
ND Filter: no
Autofocus: yes
ISO (dynamic range): 13 stops
Codec: Apple ProRes 422 (HQ) and CinemaDNG RAW @ 1920 x 1080
Colour space: 4:2:2
Maximum Bit rate: (?) Mbps

Black Magic Cinema Camera: $2000

Sensor Size: 15.81 x 8.88mm
Effective Pixels: 2400 x 1350 (3.2 Megapixels)
Crop factor: 1.7 (?)
ND Filter: no
Autofocus: yes
ISO (dynamic range): 13 stops
Codec: ProRes & DNxHD @ 1920 x 1080; 2.5K RAW @ 2432 x 1366
Colour space: 4:2:2
Maximum Bit rate: (?) Mbps

Canon 5D-Mark III: $3000

Sensor Size: 36 x 24mm (full frame)
Effective Pixels: 5784 x 3861 (22.3 Megapixels)
Crop factor: 1.0
ND Filter: no
Autofocus: yes
ISO: 100 – 12,800
Codec: H.264 / MPEG-4 AVC
Colour space: 4:2:0 + 4:2:2 over HDMI
Maximum Bit rate: 91 Mbps (ALL-I) or 31 Mbps (IPB); full HDMI

Canon C100*: $5,500

Sensor Size: 24.6 x 13.8 (Super 35)
Effective Pixels : 3840 x 2160 pixels (8.29 Megapixels)
Crop factor: 1.5
ND Filter: Mechanical with option of clear, 2, 4, and 6 stops
Autofocus: yes
ISO: 320 to 20,000 in 1/3 stop increments
Codec: H.254 / MPEG-4 AVCHD in MTS format; full raw over HDMI to external recorder
Colour space: 4:2:0; 4:2:2 over HDMI **
Maximum Bit rate: 24Mbps internal; up to 220Mbps via external recorder

Canon C300: $14,000

Sensor Size: 24.6 x 13.8 (Super 35)
Effective Pixels: 3840 x 2160 pixels (8.29 Megapixels)
Crop factor: 1.5
ND Filter: Mechanical with option of clear, 1/64. 1/16, and 1/4
Autofocus: no
ISO: 320 to 20,000 in 1/3 stop increments
Codec: 8 Bit MPEG-2 Long GOP; full raw over HDMI
Colour space: 4:2:2; 4:2:2 over HDMI **
Maximum Bit rate: 50Mbps (CBR) or 35Mbps (VBR); up to 220Mbps via external recorder

* Canon C100 review
‘Super 35mm’ sensor has just eight million effective pixels, and these are grouped into RGGB (Red, green, green, blue) groupings called superpixels. Using this method, the C100 gets rid of the Bayer filter found on most cameras (which provides colour information for the sensor), and instead produces a far more accurate colour image. The smaller pixel count also means hugely reduced noise, yet you still have the two million pixel output required for HD footage. Canon reckons the quality is equivalent to that of a typical 3-chip broadcast TV camera.

If you need something higher-quality, though, there is the option to plug a third-party recorder into the HDMI output, which will deliver a clean, uncompressed 4:2:2 video stream, which is broadcast quality and will satisfy the BBC’s HD standards.

** How to setup the Atomos Ninja II with the Canon C100
The Atomos Ninja 2 is a perfect fit for the C100. In fact Canon worked with Atomos to get it to work as well as it does. I wish the monitor was a little better but for the price it works very well. One of the best features is the C100 will trigger the recorder on the Ninja 2 which is a real plus. It also deals with 24P 3:2 pulldown.

Sensor Size | Crop Factor | Bit Rates | Broadcast Defined | Product Comparison

 

By |2017-04-10T11:17:36-04:00November 13th, 2013|Film & Video|0 Comments

Digital Film – Broadcast Defined

What, exactly, does “broadcast quality” mean?

The answer varies, depending upon the nation in which you are applying your digital film, the broadcaster, and the medium by which it will be delivered to the indented audience. A few standards are presented here.

We’ll start with the traditional television platforms:

NTSC: 30 fps
PAL: 25 fps

In the United States, the ATSC (US) A/53 standard uses MPEG-2 video at the Main Profile at High Level (MP@HL), with additional restrictions such as the maximum bitrate of 19.4 Mbit/s for broadcast television and 38.8 Mbit/s for cable television, 4:2:0 chroma sub-sampling format, and mandatory colorimetry information.

In Great Britain, the BBC Broadcast Standards are (at the time of this writing) at a higher bit rate and chroma sub-sampling format level.

 

By |2017-04-10T11:17:36-04:00November 13th, 2013|Film & Video|0 Comments

Digital Film – Bit Rates

The bit rate is the number of bits of data produced each second by a digital film camera. While there are two places to measure this, the traditional (and important) number is the bit rate correlated to that which is literally written to the digital storage medium.

This number differs from the maximum potential of the sensor (CCD) and governing microprocessor prior to the application of the compression codec. When a camera is enable to export directly to digital storage or over HDMI in an uncompressed raw format, this represents the maximum potential data rate produced by that camera. However, some cameras, such as the RED produce a compressed raw as the fully uncompressed raw would be an overwhelming volume, truly more than anyone would ever need.

Here is a table which provides a breakdown of some the industry standard bit rates, represented from the Wikipedia page (above):

16 kbit/s – minimum for a consumer-acceptable “talking head” picture
128–384 kbit/s – business-oriented videoconferencing
1.5 Mbit/s max – VCD quality (MPEG1)
3.5 Mbit/s typ — Standard-definition television quality (MPEG-2)
9.8 Mbit/s max – DVD (MPEG2)
8 to 15 Mbit/s typ – HDTV quality (MPEG-4 AVC)
19 Mbit/s approx — HDV 720p (MPEG2)
24 Mbit/s max — AVCHD (MPEG4 AVC)
25 Mbit/s approx — HDV 1080i (MPEG2)
29.4 Mbit/s max – HD DVD
40 Mbit/s max – Blu-ray Disc (MPEG2, AVC or VC-1)

At the time of this writing, 38.8 Mbit/s and above is used by Broadcasters for various formats.

 

By |2017-04-10T11:17:36-04:00November 13th, 2013|Film & Video|0 Comments

Digital Film – Crop Factor

The crop factor is a much talked about, but ultimately minimal impact aspect of film making. There are several well written articles about this topic such that I do not feel the need to reinvent the discussion here.

Daniel Haggett provides an excellent overview of various crop factor and how they affect the apparent magnification of a given lens.

The following is the proper formula for calculating the crop factor against the 35mm sensor:

(sqrt((36^2)+(24^2))) / (sqrt((SW^2)+(SH^2)))

This is shorter version of the formula which when copy / pasted into Google’s search entry box with the WIDTH and HEIGHT replacing SW and SH respectively, provides the crop factor against the 35mm sensor:

sqrt((36*24) / (SW*SH))

 

By |2017-04-10T11:17:36-04:00November 13th, 2013|Film & Video|0 Comments

Digital Film – Sensor Size

Digital Film Sensor Comparision Sensor (CCD) Size – Industry Name (example)
– 51.2 x 28.8 mm – Phantom 65
– 36.0 x 24.0 mm – Full Frame (Canon 5D)
– 27.7 x 19.0 mm – APS-H
– 24.0 x 13.0 mm – Super 35 (Canon C100 / 300)
– 23.6 x 15.7 mm – APS-C (Nikon, Pentax, Sony)
– 22.2 x 14.8 mm – APS-C (Canon 60D)
– 20.7 x 13.8 mm – Foveon (Sigma)
– 17.3 x 13.0 mm – Four Thirds (Panasonic GH3)
– 15.8 x 08.9 mm – (Black Magic Cinema)
– 13.2 x 08.8 mm – Nikon 1/CX
– 12.4 x 7.02 mm – Super 16 (Black Magic Pocket)

Graphic by Abel Cine

Both Full Frame and Super 35 are based on the size of traditional 35mm film. However, full frame cameras have a much larger sensor where the height of the frame is equal to the width of a strip of 35mm film—the orientation is rotated 90 degrees. With Super 35, the sensor dimensions and orientation match that of traditional film.

While there is a lot of hype around the sensor size, a small sensor can produce in incredible image when the CCD (Charge Coupling Device) is scanned at a faster rate.

What’s more, larger sensor cameras invoke a more shallow depth of field, just like opening the iris (aperture) of a lens to its lowest setting (ie: f-stop 2.0). More light over a shorter period of time results in a shallow depth of field. Sometimes this is desirable, sometimes not.

Keep in mind that nearly every movie ever made was shot on 35mm film and in the past decade, nearly every digital film was shot using a camera which maintained a Super 35 sized sensor. Here is a good, historic overview of widescreen aspect ratios.

 

By |2017-04-10T11:17:36-04:00November 13th, 2013|Film & Video|0 Comments

When the Coyote Calls – Part V

This story begins with When the Coyote Calls. The prior chapter is Part IV

I awoke to the ground beneath me, covered in a thick blanket of pine needles and leaves. On top of me, wrapped around me was a large, massive body. Incredibly heavy. I could not take a deep breath, but was warm despite my lack of clothing.

A long, slow inhale drew cool air across the back of my neck. Following a pause, an equally long but warm exhale told me my captor was not human, for the scent of animal filled my nostrils. When I attempted to turn onto my side, the weight of the body on mine was too much, and I was held fast.

I opened my eyes to see a beam of sunlight across the forest floor, just a few feet in front of me. I also recognized the massive, black paw of a bear.

“Bear?” I said.

I did not receive an answer, but heard snoring.

“Bear? Is that you?”

No response.

“Bear! Wake up!” I yelled as loud as I could, given the limited capacity of my lungs under such a mass.

“What? Oh! Oh my! Is that– are you, are you beneath me?” I heard from behind my head.

“Yes, it’s me. You are on top of me Bear. Please, get off.”

“I am so sorry. I meant only to keep you warm, for a few hours. But it seems I fell to sleep.”

He rolled off of me and the warmth of his body on mine was replaced by the warmth of the sun. I rolled onto my back and opened my eyes. I was facing the sky overhead, blue and unencumbered by clouds of any kind. Bear was to my side, stretching, yawning, his massive teeth white at the tips but stained toward the base. I thought he should brush his teeth more often, laughed inside at the thought, and then my situation came back to me.

Bear was blinking his eyes, slowly waking, head resting on paws extended. My backpack was at his side.

I called to him again, “Bear?”

He opened his eyes fully and stared at me, “Yes.”

I rolled slowly onto my side, the pain in my head and neck still present. Seated, with my legs bent before me, I reached up to feel the dried blood on my neck, a scab already formed over the punctures and scrapes. Fear and anger surged with the memory of the previous night, outrage at the betrayal by those I thought were my friends. I had taken the Coyote in. Two years prior I had befriended the Bear. Yet, in the end, he did nothing when the mountain lion attacked.

“You are angry with me, I know,” Bear said, his eyes fixed on mine at first, then he looked down to the ground. He must have read the emotion in my face.

“Did you know, all along, what would happen to me?”

“Yes. I knew,” he said calmly. Any sense of humor in my otherwise, usually quite clever friend was lost.

“You knew? And you did not stop the lion? You did nothing!?”

“I did nothing … or I did all I could, depending upon your point of view.”

“My point of view? Are you kidding me?!” I was angry now, leaning forward despite the pain. I continued, “I was naked. I still am! I had been running barefoot, chasing the coyote for, for I have no idea how many miles. Without clothing, food, or—only to have a mountain lion bite my throat until I bled and passed out. I— I thought I was dead!”

“Lion promised me he would not let it come to that,” Bear said in a calm, matter-of-fact tone.

I started to sob, for the full experience rushed through me again. Exhaustion. Hunger. Fear. Letting go. Calm. All mixed into a single, instant memory. I jumped to my feet, wanting to run, but as soon as I was standing the trees above me spun wildly, the sky suddenly to my left and then my right and—I fell again. My knees and palms pressed into the earth, my back arched, tears and spittle falling onto the dry needles beneath me. My stomach heaved, but without food or water, nothing was produced.

The sound of my own pain was replaced with that of the stream. I looked up from my position. The tiny waves formed and collapsed again, just a few feet in front of me. I crawled forward on hands and knees until my fingers and palms were cooled by the water on the shallow shore. I leaned forward and drank, nearly falling into the water for the rush of cold caused my vision to go dark.

I sat back onto the bank. The bear snorted and walked toward me. In his mouth he carried my backpack.

“Coyote. He brought this for you, while we slept.”

“Coyote,” I repeated, shaking my head.

He took one step closer and carefully set the pack at my feet, then turned and walked away. I reached down, without making eye contact, and slowly pulled onto my body my underwear, pants, shirt, socks and shoes. My feet remained incredibly sore, such that I considered that barefoot might be less painful than shoes. The jacket was comforting for its warmth and sense of security. Yet, I felt oddly disconnected from these things, as though they belonged in a museum for who I once was.

I removed the food from my backpack, tearing bread and cheese with my hands and teeth. I was shaking, nearly in tears again, more from lack of nutrition than the emotions this time. The apple was cool and refreshing.

I tossed one apple to where Bear was seated. I heard it hit the ground and roll, but I did not look up. The sound of the bear eating the apple was quickly replaced by the sound of footfall. He was standing again, by my side.

My trust had been broken. I no longer felt safe in his presence. I shied away, leaning to one side.

He said, “We should go.”

“Why should I go anywhere with you?”

Bear simply looked back.

I waited.

“I did this for you.”

“For me?!”

“Yes, for you.”

I rose to both feet, the sugars in the apple and fat in the cheese granting me some strength and focus, the ability to stand again. The bottom of my feet yet burned, even against the relatively soft weave of the thick socks.

“You, you asked the mountain lion to attack me—for me?”

“In a way, yes.”

I raised my hand to my neck again, some of the dried blood flaking and falling onto my fingers. Shaking my head I said, “I— I don’t understand.”

“When we first met, I showed you my world, from ridge top to valley bottom. That world is growing smaller and more confined, with the increased number of your kind. In that place I am afraid for my future, the future of what we call home—”

I interrupted him, “You wanted for me to feel your fear?”

“No. I wanted for you to feel your own fear … and then let it go. You have to let it go, as I have, to be free.”

I took a deep breath, held it for a moment and looked over his shoulder, to the blue of the horizon between the pines, the sun overhead, and back to his massive paws pressed into the forest floor. I forced my eyes to rise to meet his. In that moment, I realized that what he had shared with me was real, what Coyote and Lion had taken and given back to me again was now a part of who I had become.

“Then I should thank you, it seems, for what you have done for me,” I said, partly in sarcasm, partly in truth.

He did not respond, but lowered his face and walked forward until his breath warmed the back of my hand.

Yet feeling resentment, I retrieved my backpack from the forest floor, and turned to walk side-by-side with the bear. We followed the trail back, toward where this adventure had begun. I recognized sections where I had run behind Coyote. I recalled the freedom of that run, the lightness I felt. I recall no longer concerned with what lay behind, rather only what lay ahead.

I regained my comfort with bear, but truly, I regained confidence in me. At my suggestion, Bear and I explored side valleys and walked along high ridges. We talked little, for there was not much to be said. As we moved, two or three times I heard a branch break or a stone kick loose not far away. Coyote I assumed, following, listening, yet the trickster even in the shadows.

Bear asked, “Did you ever find the woman, the one you had lost?”

I laughed, remembering our first conversation long ago, “Yes, I have.” I paused to enjoy the comfort I felt in those words, “We have built a new friendship.”

“Ah! Very good! I hope I can meet her, soon.”

We walked a bit further, when he said, “I would like to introduce you to someone important to me.”

I heard branches break underfoot again, and from the shadow of a fir emerged a massive bear. I could not help but step back, pressing against Bear without awareness of my action. Nudging me forward, Bear laughed, “It’s ok. This is my companion, my mate I told you about when we first met.”

I took two hesitant steps forward. She was massive, much taller than my friend such that I felt I was looking nearly straight ahead. She also approached me, and pressed her snout into my hand. But then she rose up, without her paws leaving the ground, and our noses touched, hers moist and cool. Her wide face and head, much larger than my own, pulled back and she exhaled. I could smell her breath, neither sweet nor foul, but alive.

Bear walked around me and stood at her side. They greeted each other with noses and paws, and what sounded to me like grunts and moans. Coyote emerged from the same shadow. She-Bear nodded in his direction. He turned toward me, his jowl pulled back in an attempted human smile, “Adiós mi amigo. Espero verlos pronto.” Then he was gone, quickly, without a sound.

Bear said, “This is where we again part ways, for now.”

“So soon?”

“I have need to start a family. It is time, for me.”

“I understand.”

I turned to his companion, “It was good to meet you. Perhaps we will cross paths again.”

“I would like that very much,” she said, “Until then.”

“Until then.”

Bear nudged my hand once again. I rubbed his head and ears and he buried his muzzle in my stomach.

He and his companion then turned, without a second glance, and walked back from where we had come.

I watched them until their earthen color blended with the forest floor, tree trunks and underbrush such that only their gradual motion enabled me to detect them from their surroundings. I tightened the straps of my pack, turned, and continued along the ridge and down a rocky out-cropping.

A few hours later, just as the sun was meeting the horizon and the blue sky was tinted with purple, I could see the cabin in the distance. The temperature dropped quickly and a light breeze picked up. I arrived to the back door just as the last natural light faded. No longer could I see distinct color in the path before me.

I opened the door, stepped in, and was home.

This story concludes with The Gathering

By |2019-10-05T15:18:06-04:00November 6th, 2013|At Home in the Rockies, Dreams|0 Comments

When the Coyote Calls – Part IV

This story begins with When the Coyote Calls. The prior chapter is Part III

The coyote called out, “You’re late, amigo!”

The bear looked up and saw me, ignoring the coyote’s implication, “Ah. It is good to see you again.” Looking at me from head to toe he added, “All of you.” I remembered the bear had a good sense of humor.

I wanted to run to him, to wrap my arms around him, but remembered this was not a petting zoo, and C.S. Lewis did not pen this story. The bear walked directly to me, his eyes at the height of my chest. His breath was warm on my skin. He looked down to the coyote and said, “I see you have been to your tricks again, bringing this human here without his clothing.”

The coyote looked down, and for the first time since I had met him, he was without words to respond.

I didn’t know what he meant by ‘tricks’ but responded to the bear, “It is good to see you again, also.”

“It has been two full turns of the seasons, and then some,” he responded.

“Yes. It has,” I responded. I was disappointed, hoping for a stronger reunion. We had shared much when we first met, and yet now, he seemed as though he had forgotten, or no longer cared.

“Much has changed. Much is the same.”

Coyote looked over his shoulder, to the bear, and then to the forest which surrounded us.

Bear said, “You appear nervous Coyote.”

Coyote did not respond, at first, but took a step back and turned, looking down the trail. He glanced over this shoulder at us and said, with some concern, “Tenemos que ir ahora.”

“Where are we going now?” I asked?

Coyote responded, “You’ll see. Soon, you’ll see.”

I looked to the bear for more information, assurance, but received none.

Coyote trotted away at a fairly brisk pace. For this, I was thankful for the chill of the late afternoon was affecting me. I warmed again, with the movement, but without food knew I would soon be chilled again. We followed a game trail, Coyote in front and Bear behind me. The fairy tale nature of this venture occurred to me from time to time. I found myself hoping we would stumble upon other humans, hiking or sitting along side a campfire. I pictured myself jogging by, my animal companions on either side of me. But we encountered no one. Surely, the keen senses of either of them would detect another animal long before any encounter.

We continued for another hour in the ravine alongside the stream. I stopped to drink, my body reacting to the exertion of the day. I was dehydrated, my mouth dry, my head a little too warm. I lowered myself and took the chance of contracting an illness, as no stream in the lower forty eight States was without parasites in the past fifty years. But it would be several days before I would show signs. By then, I would be back to the comfort of the cabin.

My energy returned to me. My feet were submerged in the cold, shallow water of the bank. I recalled those times when as children my brother and I would dare each other to submerge our hands in cold water, to see who could tolerate it the longest. I looked up from the stream and noticed a beam of sunshine just in front of me, wide enough to warm my bare skin.

I stood and moved a few feet upstream. Over my shoulder I could see Coyote and Bear waiting for me on the trail. Coyote was sitting. Bear remained standing. They were not conversing, or at least, not in a manner I could see or hear. Once I had warmed myself, I moved toward them saying, “I am excited to have you as my companions today. This adventure is, is beyond my imagination. But it is getting late. I need to head back to my bag, my clothes, if not the cabin before too long.” I felt uneasy, not wanting to undermine the efforts of my hosts, for they were intent upon showing me something important to them. They just stared at me. I continued, “I, I don’t mean to be rude. I really want to continue. But I am naked,” I laughed uneasily, “I won’t be able to spend the night out here, not like this,” pointing to my body. “Do you think maybe we could–”

Both the Coyote and Bear lowered their heads just as I heard the faint crack of a branch breaking behind me and without pause, another. I spun ’round to see what was approaching when I was knocked to the ground, the weight of something tremendous fully upon me. My face hit the ground without my hands breaking the fall. I felt pine needles and small stones embed themselves in the skin of my right cheek, forehead, and shoulder. Whatever was on top of me was incredibly strong, it’s body covered in fur which now pressed against my skin.

I tried to roll out from beneath its weight, struggling to regain my feet but I could barely move. I called out, “Bear! Please–” and then the hot breath of a powerful jaw engulfed my neck, both front and back. The teeth pierced my skin and I felt the warmth of my own blood. The teeth were perfectly placed to crush my airway, to suffocate me. I could not call out. I could no longer breathe.

My eyes filled with tears. Not for the pain, but for the fear that I felt inside. Fear of what would happen next. Fear of my life ending so unexpectedly. Fear of the unknown.

Then I felt anger. I felt cheated by Coyote whom I had helped—or had he needed help at all? The trickster. My friend the bear, he knew too. He knew this was where I was being led. What did I do to deserve this? Why?! I opened and closed my eyes rapidly to beat away the tears. I saw Bear and Coyote as they were before, heads bowed, watching. The did not come to my side. They had not even moved.

My right arm was pinned beneath me. My left arm outstretch, fingers opening and closing autonomously. I wondered why they did that for they no longer felt a part of me. Then I saw the paw, shifted to just inches from my nose. The claws were extended. The mountain lion relaxed and the weight on my back increased. The last bit of air in my lungs was forced out. I noticed the claws no longer dug at the dirt with the same intensity.

Many years ago, before I headed into the back country of Denali National Park, Alaska I had read a book about bear attacks. I would be alone there for two weeks, several days at a time without seeing another human. I wanted to better understand the behavior of bears. I learned as much about how humans behave when confronted with something so powerful as their own death. Those who could walked away, ran, or fought back. Some screamed for help until it came or they were overcome. Some survived. Some did not, the story told by those who found the remains.

One woman remained still while the bear scratched at her skull, the sound of its teeth echoing in her head over and over again. She lived. I never understood why she didn’t fight back … until this day. I thought of all the ways to respond. I recalled with rapid clarity all the things I was suppose to do. But my entire body was immobilized as much by the presence of this creature as by the power of his teeth, jaw, and claws. I gave in.

As when I was a child, I lost all sense of time. One moment was an hour. That hour was an entire day. And that day was without comparison to any other I had lived before. I had run with a Coyote. I had been reunited with my companion the Bear. I had played my part in the game, and I played it well.

I could see neither Bear nor Coyote nor the paw in front of me for my vision was gone. I heard Coyote bark and then howl. Bear shuffled his feet and snorted. The breath of Lion above me remained warm, even soothing.

Slowly, the voices in my head became silent. The chatter was gone. No concern for deadlines. No worry for finances. No confusion over relationships with friends and family. I was free of language, my thoughts replaced with emotion. While I had in what seemed like hours before grieved for the loss of all that I considered—I no longer heard any sounds. Even the warmth of Lion’s breath was gone. I was taken by a sense of calm like none I had ever experienced. I felt honored to be given the life I had lived, to experience something so incredible.

I smiled. Then I was done.

This story continues with Part V

By |2019-10-05T15:18:02-04:00November 4th, 2013|At Home in the Rockies, Dreams|0 Comments
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